The attractiveness of the pallesiana personality lies not only in the high quality of his literary work, drawn from the knowledge of the ineffable and mystical symbolism, as well as the presence of the Bible and the medieval books of hours, but his advanced shape of priest rebellious and edgy, preconciliar in the sense outlined a theology of liberation, and Jose Arguello Lacayo has shown it in his extraordinary book, a poor of Jesus. Pallais, that backward and feudal Nicaragua, held Christ's message, the message of evangelized words, claiming against the oligarchy of the historical parallel (Liberal and conservative), criticizing, with your personal attitude and his vibrant words of poet and orator, to the official clergy and the dictatorship. Movie star is full of insight into the issues. Pablo Antonio Cuadra and Ernesto Cardenal see it as a precursor of the avant-garde spirit, not only in the literary aspect, but in the religious. It was a mixture of Francis of Assisi and Francis Jammes, Gothic and modern', says Cardinal, high body and lean ascetic face, with cassock always frayed, friend of walk on the roads, with the humble enintimidad, her figure in Nicaragua was almost legend. It was in contravention of the civil and ecclesiastical power. He was a man who lived what he wrote and what he preached, and in his word the same thing in his life was next to the poor against the rich.
His sermons were at once dramatic and picturesque, are an impressive and original, full of peculiar inflections voice. Everything about him, from his life, until his physical, said Julio Valle Castillo, they were poetic thing, poetry or poem. Jorge Eduardo Arellano, in his dictionary of Nicaraguan authors, claims that he was a genuine continuation of Ruben Darius, Poetry, says. He is a tireless preaching of Christian, jubilant and Franciscan, truth of intimate communion with things with a sense of singing that is remote to his classical training and the Iliad and the Odyssey, which began translate into Spanish in Nicaragua.
His sermons were at once dramatic and picturesque, are an impressive and original, full of peculiar inflections voice. Everything about him, from his life, until his physical, said Julio Valle Castillo, they were poetic thing, poetry or poem. Jorge Eduardo Arellano, in his dictionary of Nicaraguan authors, claims that he was a genuine continuation of Ruben Darius, Poetry, says. He is a tireless preaching of Christian, jubilant and Franciscan, truth of intimate communion with things with a sense of singing that is remote to his classical training and the Iliad and the Odyssey, which began translate into Spanish in Nicaragua.
Recent Comments